Through sound, moving image, sculpture, installation, and ephemeral events, Jin Mustafa’s practice explores questions of personal and collective memory, the influ­ence of technology on perception, and the relationship of real and imagined spaces.

Drawing inspiration from Borås history, its communities and possible future, Mustafa has created an alternative soundtrack of the city. Composed of field recordings and original composition, the work can be experienced at three listening points. Taking the form of sculptures, these points are structures to sit, lie, and rest upon, allowing a deeper listening and sensing to take place.

She has performed as a DJ locally and internationally and released music under her own name, as well as part of Karabasan Drane.

Jin Mustafa is a visual artist and musician based in Stockholm. Recent presentations of work include: Nida Art Colony, Nida (2020); Haninge Konsthall, Stock­holm (2019); Alta Art Space & Signal–Center for Contemporary Art, Malmö (2018); Galerie Zeller Van Almsick, Vienna (2018); Kunsthal Charlottenborg, Copenhagen (2018); Biquini Wax EPS, Mexico City (2018); Galleri Gerlesborg, Gerlesborg (2019); and Mossutställningar, Stockholm (2017).

Sound commissions and compositions for other artists, filmmakers, dancers, and performers have been presen­ted at Bonniers Konsthall, Stockholm (2020); Wanås Konst, Wanås (2020); Haus der Kulturen der Welt, Ber­lin (2019); and Sonic Acts, Amsterdam (2019).